THE PLACE OF EMOTIONAL-EXPRESSIVENESS IN THE DRAMATIC WORKS OF MAKSUD SHAYKHZODA

Authors

  • Ruxshona Olimova Navoiy davlat universiteti Oʻzbek tili va adabiyoti yoʻnalishi, 2-kurs talabasi Author

Keywords:

Maqsud Shaykhzoda, dramatic work, emotional-expressiveness, Mirzo Ulugbek, Jaloliddin Manguberdi, dramatic conflict, image, emotional impact, artistic language, historical drama.

Abstract

This article analyzes the artistic and ideological place of emotional-expressive means in the dramatic works of one of the great figures of Uzbek literature, Maqsud Shaykhzoda. In particular, based on the dramas "Mirzo Ulug'bek" and "Jaloliddin Manguberdi", the role of language means in expressing the emotional experiences of characters, dramatic power, spiritual tragedy and national ideas is revealed. The work illuminates historical truth and spiritual values ​​through expressive expressions, metaphors, rhetorical questions and dramatic speech styles.

References

Shayxzoda M. Mirzo Ulugʻbek – Toshkent: Gʻafur Gʻulom nomidagi Adabiyot va sanʼat nashriyoti, 1970.

Shayxzoda M. Jaloliddin Manguberdi – Toshkent: Adabiyot va san’at nashriyoti, 1973.

Quronov D. Adabiyotshunoslik asoslari – Toshkent: Fan, 2008.

G‘ulomov A. O‘zbek dramaturgiyasi tarixi – Toshkent: O‘qituvchi, 1995.

Published

2025-05-26

Issue

Vol. 5 No. 5 (2025): Eurasian Journal of Social Sciences, Philosophy and Culture

Section

Articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

THE PLACE OF EMOTIONAL-EXPRESSIVENESS IN THE DRAMATIC WORKS OF MAKSUD SHAYKHZODA. (2025). Eurasian Journal of Social Sciences, Philosophy and Culture, 5(5), 106-109. https://in-academy.uz/index.php/EJSSPC/article/view/8313