THE EVOLUTION OF THE ENGLISH NOVEL: FROM DEFOE TO MODERNISM
Main Article Content
Аннотация:
This research conducts an analytical comparison of British Romantic and Victorian poetry, focusing on their contrasting attitudes toward nature and society. By examining key poetic works, the study explores how the Romantic emphasis on sublime nature, individual imagination, and transcendent emotion gave way to the Victorian preoccupation with social responsibility, industrial critique, and moral doubt. The analysis reveals a fundamental shift from viewing nature as a spiritual refuge and source of inspiration to examining it as a threatened idyll amidst urban expansion, reflecting broader changes in philosophical thought and societal conditions across the nineteenth century.
Article Details
Как цитировать:
Библиографические ссылки:
Abrams, M. H. (1971). The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford University Press.
Armstrong, I. (1993). Victorian Poetry: Poetry, Poetics and Politics. Routledge.
Bloom, H. (Ed.). (1970). Romanticism and Consciousness: Essays in Criticism. W.W. Norton & Company.
Christ, C. T. (1975). The Finer Optic: The Aesthetic of Particularity in Victorian Poetry. Yale University Press.
M. H. Abrams' concept of the "greater romantic lyric" and its evolution.
Buckley, J. H. (1966). The Victorian Temper: A Study in Literary Culture. Harvard University Press.
Roe, N. (Ed.). (2005). Romanticism: An Oxford Guide. Oxford University Press.
Tucker, H. F. (Ed.). (1999). A Companion to Victorian Literature and Culture. Blackwell Publishing.
Gilpin, G. H. (1979). The Poet’s Work: The Theme of Nature in Romantic and Victorian Poetry. Journal of Literary History, 12(3).
Tadqiqotlar.uz: Rahimova, S. (2021). Viktorian davri she'riyatida ijtimoiy adolat mavzusi. Zamonaviy filologik tadqiqotlar.
