RUMIY VA DANTE METAFORALARIDA ILOHIY ISHQ KONSEPTINING LINGVOKOGNITIV TAHLILI
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Аннотация:
Ushbu tezis Jaloliddin Rumiy va Dante Aligyer ijodida ilohiy ishq konseptining metaforik talqinini lingvokognitiv yondashuv asosida o‘rganishga bag‘ishlanadi. Ilohiy ishq Sharq va G‘arb mistik tafakkurida markaziy tushuncha bo‘lib, u poetik matnlarda ko‘pincha metaforalar orqali ifodalanadi. Tadqiqotda metaforaning mavhum ruhiy holatlarni inson ongida aniq konseptual shaklga keltirishdagi roli yoritiladi. Rumiy asarlarida uchraydigan “olov”, “yorug‘lik”, “jo‘shqin daryo”, “sham va parvona” kabi timsollar ishqning dinamik, ruhni poklovchi va yo‘lga soluvchi kuch sifatida talqin qilinayotganini ko‘rsatadi. Dante “Ilohiy komediya”da ilohiy ishqni “nur”, “ko‘tarilish”, “samoviy uyg‘unlik”, “yo‘l” metaforalari orqali ifodalaydi. Bunda ishq insonni zulmatdan nurga, gunohdan poklikka eltuvchi transsendent kuch sifatida tasvirlanadi. Qiyosiy tahlil Rumiy va Dante metaforalarida umumiyliklar (nur, yo‘l, ilohiy yaqinlikka intilish) bilan birga sezilarli farqlar ham mavjudligini ko‘rsatadi. Sharqona tasavvufda ishqning ichki yonish va jo‘shqinlik orqali komillikka eltishi ta’kidlanar ekan, G‘arb mistik poetikasida ishq tartibli kosmik nur va ilohiy uyg‘unlik timsolida talqin etiladi. Tadqiqot metaforaning ilohiy tajribani anglash va til orqali ifodalashdagi markaziy funksiyasini ilmiy jihatdan asoslaydi.
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