MINIMALISM AND SILENCE IN ERNEST HEMINGWAY’S SHORT STORIES

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Issue: Vol. 5 No. 2 : Science and technology in the modern world
Section: Articles
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Master’s student in linguistics at Termiz State University
Latofatkomilova232@gmail.com

Abstract:

This thesis explores how Ernest Hemingway uses minimalistic language and silence in his short stories. His simple and restrained style helps reveal deep emotional conflicts without direct explanation. The study analyzes selected stories to show how silence conveys loneliness and inner tension. This topic is relevant today because implicit meaning remains important in modern literature. The research emphasizes the role of understatement in understanding emotional depth.

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How to Cite:

Komilova, L. (2026). MINIMALISM AND SILENCE IN ERNEST HEMINGWAY’S SHORT STORIES. Science and Technology in the Modern World, 5(2), 31–32. Retrieved from https://in-academy.uz/index.php/zdift/article/view/71990

References:

Baker, Carlos. Hemingway: The Writer as Artist. Princeton University Press, 1972.

Mellow, James R. Hemingway: A Life Without Consequences. Houghton Mifflin, 1992.

Oliver, Charles M. Hemingway’s Short Stories: A Critical Introduction. Cambridge University Press, 1999.

Tetlow, Wendolyn E. Hemingway’s In Our Time: A Critical Interpretation. University of Illinois Press, 1982.