GURNA POETIKASIDA MEROS, XOTIRA VA POSTKOLONIAL ONG

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Nashr: Jild 4 Nomeri 40 : Инновационные исследования в современном мире: теория и практика
Bo'lim: Maqolalar
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NamDU 2-boshqich tayanch doktoranti
dilafruzsaydamatova97@gmail.com

Abstrak:

Ushbu maqolada Abdurazzоq Gurnaning “Memory of Departure”, “Paradise”, “Admiring Silence” va “By the Sea” romanlarida mustamlakachilik merosining “daxshat” (“nightmare”) sifatida talqin qilinishi tahlil qilinadi. Tadqiqot davomida yozuvchining postkolonial identitet, madaniy gibridlik, tarixiy xotiraning buzilishi va migratsion ruhiy iztiroblar kabi mavzularni qanday badiiy shakllantirishi ilmiy nuqtai nazardan yoritiladi. Shuningdek, Gurnaning yondashuvi Frants Fanon, Albert Memmi, Homi Bhabha kabi nazariyotchilarning qarashlari bilan solishtiriladi.

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##submission.howToCite##:

Saydamatova , D. (2025). GURNA POETIKASIDA MEROS, XOTIRA VA POSTKOLONIAL ONG. Инновационные исследования в современном мире: теория и практика, 4(40), 81–84. Retrieved from https://in-academy.uz/index.php/zdit/article/view/68291

##submission.citations##:

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Gurnah A. Admiring Silence. London: Hamish Hamilton, 1996.

Gurnah A. By the Sea. New York: The New Press, 2001.

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Bhabha H. The Location of Culture. London: Routledge, 1994.

Rushdie S. In Good Faith. Cambridge: Granta, 1990.

Whyte P. “Heritage as Nightmare: the Novels of Abdulrazak Gurnah”. Commonwealth Essays and Studies, 27.1, 2004.

Memmi A. The Coloniser and the Colonised. Boston: Beacon Press, 1965.

Gurnah A. Memory of Departure. New York: Grove Press, 1987.