POSTCOLONIAL IDENTITY IN CONTEMPORARY BRITISH FICTION

Article Sidebar

PDF (English)
Выпуск: Том 4 № 8 : Молодые ученые
Раздел: Статьи
Опубликован:

Main Article Content

English language teacher Secondary School No. 81, Samarkand City, Samarkand Region, Uzbekistan
info@in-academy.uz

Аннотация:

This extended conference thesis examines the representation of postcolonial identity in contemporary British fiction through the selected works of Zadie Smith and Monica Ali. In post-imperial Britain, issues of identity, belonging, and cultural negotiation have become central to literary discourse. Drawing on postcolonial theoretical frameworks, particularly those proposed by Homi K. Bhabha, Stuart Hall, and Paul Gilroy, this study explores how contemporary British fiction portrays identity as fluid, hybrid, and continuously reconstructed.

Article Details

Как цитировать:

Rustamova, G. . (2026). POSTCOLONIAL IDENTITY IN CONTEMPORARY BRITISH FICTION. Молодые ученые, 4(8), 48–51. извлечено от https://in-academy.uz/index.php/yo/article/view/73404

Библиографические ссылки:

Ali, M. (2003). Brick Lane. Doubleday.

Bhabha, H. K. (1994). The location of culture. Routledge.

Bentley, N. (2018). Contemporary British fiction. Edinburgh University Press.

Gilroy, P. (1993). The Black Atlantic: Modernity and double consciousness. Verso.

Hall, S. (1990). Cultural identity and diaspora. In J. Rutherford (Ed.), Identity: Community, culture, difference. Lawrence & Wishart.

McLeod, J. (2010). Beginning postcolonialism (2nd ed.). Manchester University Press.

Said, E. W. (1978). Orientalism. Routledge.

Smith, Z. (2000). White Teeth. Hamish Hamilton.