This article focuses on the accomplishments of epistolary fiction and what it offers writers. It analyzes a study of the history and evolution of the form to develop a base for ideas presented in the following sections. Moreover, it addresses the  challenges posed by the epistolary form as well as the form’s possibilities. The article investigates specific possibilities writing techniques used in epistolary form and their effects on both the characters and readers. The central argument of this article offers an assessment of the strengths of epistolary fiction, and a claim that shows how these strengths are evident in epistolary novels spanning the last three and a half centuries.

The article analyzes the means of expressing linguo-pragmatic goals and actions in epistolary texts in biographical works. In addition, the linguo-pragmatic potential of epistolary technique examples in biographical works is interpreted as the pragmatic influence of language, the expressive use of linguistic means by the author of the epistolary text, directed to a specific goal. General principles of linguopragmatics, classifications given to linguopragmatics and the theory of scientific research are also described.

The article analyzises that the term “epistolary novel” is traditionally associated with the oldest and most wellknown version of the form: fiction told through letters  and how the intermediary act of writing affects the way the message passes from the narrator to the reader. This fictional device of writing a novel in letters relies upon effects involving authenticity, intimacy and immediacy.

The article explains the concept of epistolary genre in Russian literature in eighteenth century, the study of the early development of the Russian novel,   analysis of  the institutional conditions of  literature and their impact on literary tendencies.

The article explains the concept of epistolary genre in Russian literature in eighteenth century, the study of the early development of the Russian novel, analysis of the institutional conditions of literature and their impact on literary tendencies.

Epistolary discourse, traditionally associated with written correspondence in the form of letters, remains a significant mode of human communication. Despite technological advances that have transformed interpersonal interaction, the letter continues to embody distinctive communicative values such as intimacy, authenticity, and dialogical structure. This article examines the communicative significance of letters within epistolary discourse, focusing on their role as a medium for personal expression, social interaction, cultural documentation, and the construction of interpersonal relationships. Furthermore, it compares traditional letter writing with modern digital communication to highlight both continuity and transformation in communicative practices.

The article investigates that it is a unique story, created by the author and inspired by events both real and fictional. However, these collections of letters have more in common with other forms of fiction than basic structure and means of inspiration. The authors of epistolary novels face similar challenges and embrace similar possibilities as other authors of fiction, but the individual works have their own sets of unique characteristics that span generations and connect works from age to age. The greatest of these connections lies in the appeal of the epistolary novel as a personal of expression.

The following article is about the short work “Sea Prayer” by Afghan-American writer Khaled Hosseini and analyze this form of letter in “Sea Prayer”. The usage words, styles, main ideas and illustrations are explored. The main topic is the form of letter from father to son and death a thousand of people in sea to find safe place. Also, the work based on Alan Kurdi who was 3-year-old child and his death. It is also a vivid portrait of their life in Homs, Syria.

This study examines the pivotal evolution of narrative technique in the English novel throughout the 18th century. By analyzing the works of key authors from Henry Fielding to Laurence Sterne, the research traces the transformation of the narrator from an external, omniscient, and morally authoritative chronicler into a complex, often ambiguous vehicle for psychological exploration. The investigation argues that this journey—marked by the rise of the epistolary form, the introspective experiments of sentimentalism, and the emergence of techniques like free indirect discourse—fundamentally reoriented the novel’s purpose. This narrative revolution shifted the genre’s focus from the depiction of social types within a moral framework to the nuanced representation of individual consciousness, thereby laying the formal groundwork for the psychological realism of the nineteenth-century novel.